CD/DVD and vinyl were shipped from April 9, 2018. ^ VHS was shipped from February 10, 2018.
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88-Keys – additional programming ('Hublots').Vegyn – programming ('Xenons', 'Deathwish (ASR)', 'Rushes To' and 'Mitsubishi Sony'), drum programming ('Comme des Garçons', 'In Here Somewhere', 'Slide on Me' and 'Sideways'), bass ('Slide on Me').Michael Uzowuru – programming ('Rushes To').Spaceman – guitars ('In Here Somewhere', 'Deathwish (ASR)', 'Rushes' and 'Rushes To').Rosie Slater – additional drums ('Device Control').Sebastian – programming ('Rushes' and 'Higgs'), additional programming ('Slide on Me').Buddy Ross – synthesizers ('Mine', 'U-N-I-T-Y', 'Comme des Garçons', 'Slide on Me', 'Sideways' and 'Rushes'), bass ('Florida').Ben Reed – bass ('Comme des Garçons', 'Wither', 'Slide on Me' and 'Rushes').Frank Ocean – piano ('Alabama', 'Wither' and 'Hublots'), additional programming ('In Here Somewhere' and 'Deathwish (ASR)'), guitars ('Rushes To').Troy Noka – programming ('Deathwish (ASR)' and 'Rushes To'), drum programming ('Comme des Garçons' and 'In Here Somewhere'), synthesizers ('In Here Somewhere').London Contemporary Orchestra – orchestra credits ('At Your Best (You Are Love)').Tim Knapp – synthesizers, drum programming ('Device Control').Om'Mas Keith – piano ('At Your Best (You Are Love)').Jonny Greenwood – string orchestration ('At Your Best (You Are Love)').Alex G – guitars ('U-N-I-T-Y', 'Wither' 'Slide On Me', 'Rushes' and 'Higgs').Kyle Combs – synthesizers ('Device Control').Christophe Chassol – piano ('U-N-I-T-Y').James Blake – synthesizers ('At Your Best (You Are Love)').In a mixed review for AllMusic, Andy Kellman wrote that the tracks 'melt into one another', concluding that 'it's a smartly ordered patchwork of mostly secondary material'. She was ambivalent to the music's abstract nature, noting that 'is filled with beauty, but it feels like a dream where you don’t remember much, even if you take a pen to paper as soon as you wake'. For Consequence of Sound, Nina Corcoran wrote that the video 'wobbles between its highs and lows'. Q magazine published a joint review of Endless and Blonde which said 'these records might not eclipse Channel Orange, but they have their own mercurial gleam, mapping the spaces between people, reaching for a hazy intimacy that almost feels real.' Ryan Dombal of Pitchfork wrote that 'as a piece of filmed entertainment, Endless is painfully dull', however praised the 'much more exciting' music, comparing it to a mixtape, and stating that it is 'an intriguing peek into process, and it contains some of the rawest vocal takes he’s ever put out'. In The Guardian, Tim Jonze said Ocean mixed the pop with the avant-garde on Endless, calling it 'a rich, varied and – at times – challenging musical feast', however noting that 'much of this album floats by hazily and with no clear direction'. The publication was rumored to be called Boys Don't Cry, and the album was slated to feature the aforementioned 'Memrise'. The album was ultimately not released in July, with no explanation given for its delay.
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On April 6, 2015, Ocean announced that his follow-up to channel ORANGE would be released in July, as well as a publication, although no further details were released. The Guardian described the song as: 'a song which affirms that despite reportedly changing labels and management, he has maintained both his experimentation and sense of melancholy in the intervening years'.
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On November 29, 2014, Ocean released a snippet of a new song supposedly from his upcoming follow-up to channel ORANGE called 'Memrise' on his official Tumblr page. In June 2014, Billboard reported that the singer was working with a string of artists including Happy Perez, Charlie Gambetta and Kevin Ristro (whom he worked with on Nostalgia, Ultra), as well as Hit-Boy, Rodney Jerkins and Danger Mouse. In April 2014, Ocean stated that his second album was nearly finished.